A Guide to Mainstream Pegging: 16 Times Strapons Stole the Scene in TV and Film
Pegging, the act of a woman penetrating her partner with a strap-on dildo, has steadily made its way into mainstream media. As it challenges traditional gender roles and sparks conversations about sexual dynamics, pegging has become a fascinating topic for television and film. Below, we explore key examples where pegging has been discussed or portrayed, highlighting its growing acceptance and curiosity in popular culture.
Here are 16 of the hottest pegging scenes in TV and Movies – You may also want to use this as your new watchlist! Let us know if we missed any of your favorites!
Myra Breckinridge (1970)
Summary: Myra Breckinridge is a satirical film based on Gore Vidal’s novel, known for its bold and controversial content. The movie is one of the earliest mainstream films to depict pegging, which occurs in a highly provocative scene. The character Myra Breckinridge, portrayed by Raquel Welch, forcibly penetrates a tied-up male character, Rusty Godowski (Roger Herren), with a strap-on dildo. This scene is charged with themes of domination and gender role reversal, as Myra asserts her power over Rusty in a graphic and unsettling manner.
Portrayal: Pegging in Myra Breckinridge is depicted as an act of dominance and control, serving as a crucial moment that underscores the film’s exploration of gender fluidity and power dynamics. The scene shocked audiences at the time and remains a significant moment in the history of cinema for its daring approach to taboo subjects. The film uses this moment to challenge traditional gender roles, positioning Myra as the dominant figure who subverts the conventional male-female sexual dynamic.
Cry Uncle (1971)
Summary: Cry Uncle, also known as Superdick, is a dark comedy from the early 1970s that pushes boundaries with its blend of humor, sleaze, and satire. Directed by John G. Avildsen, the film includes a pegging scene during a chaotic foursome involving the characters Jake (Allen Garfield) and Connie (Nancy Salmon). In this scene, Connie takes control and penetrates Jake with a strap-on dildo. The moment is presented with the film’s characteristic offbeat and irreverent style, contributing to the film’s exploration of unconventional and often outrageous sexual dynamics.
Portrayal: Pegging in Cry Uncle is depicted with a humorous and exaggerated tone, consistent with the film’s overall approach to shocking and entertaining the audience. The scene plays into the film’s satirical take on the sexual revolution and the counterculture of the 1970s, using sexual scenarios to both challenge and parody societal norms. The pegging scene is a reflection of the film’s willingness to confront and mock taboos, making it a notable example of how early cinema explored sexual power dynamics in a comedic context.
Erotique (1994)
Summary: Erotique is an anthology film that explores various facets of female sexuality through three different stories, each directed by a different filmmaker. In the segment titled “Taboo Parlor,” directed by Monika Treut, there is a notable pegging scene where Claire (Priscilla Barnes) engages in a threesome with Victor (Michael Carr) and another woman. During the scene, Claire pegs Victor from behind without his prior consent, using the act as a way to assert dominance and control. This scene is intense and explores the darker side of sexual dynamics, power, and consent.
Portrayal: Pegging in Erotique is portrayed as an aggressive and dominating act, with significant emphasis on the power dynamics between the characters. The scene is unsettling as it delves into themes of non-consensual dominance and the complexities of control within sexual relationships. Unlike more playful or consensual depictions of pegging, this scene is charged with tension and reflects the film’s exploration of the boundaries between pleasure and power, raising questions about consent and the ethics of sexual exploration.
First Time (2003)
Summary: First Time (original title: La Première Fois) is a French film that features a pegging scene as a central part of its exploration of sexual discovery and experimentation. The film follows a young couple who are venturing into new sexual territories, and pegging is depicted as a significant and transformative experience for both characters. The scene is portrayed with an emphasis on the emotional and psychological aspects of the act, as the characters navigate their feelings of vulnerability, power, and intimacy.
Portrayal: Pegging in First Time is presented as a tender and exploratory act, focusing on the couple’s mutual consent and curiosity. The scene is depicted with sensitivity, highlighting the trust and communication required to engage in such an intimate and unconventional sexual experience. The film uses pegging as a means to delve deeper into the characters’ relationship, emphasizing the connection and emotional complexity involved in their sexual journey.
The Book of Revelation (2006)
Summary: The Book of Revelation is a psychological drama that delves into the harrowing experience of a male dancer who is kidnapped and sexually tortured by a group of three women. The film includes a disturbing and intense pegging scene as part of the protagonist Daniel’s (Tom Long) ordeal. In this scene, Daniel is subjected to various forms of sexual abuse, including being forcibly penetrated with a strap-on by one of the women. This act is depicted as a method of domination and control, used to break down Daniel’s psyche and strip him of his identity.
Portrayal: Pegging in The Book of Revelation is portrayed as an act of violence and dehumanization. It serves as a crucial element in the film’s exploration of power dynamics, gender roles, and the psychological effects of sexual violence. The scene is unsettling and intense, reflecting the film’s broader themes of control, humiliation, and the inversion of traditional gender power structures. Unlike more lighthearted depictions in other films, this portrayal of pegging is deeply tied to the film’s narrative of trauma and psychological breakdown, leaving a lasting impact on both the character and the viewer.
Weeds (2005-2012)
Summary: In the acclaimed series Weeds, the episode “Crush Girl Love Panic” (Season 4, Episode 5) features a memorable pegging scene between Andy Botwin (Justin Kirk) and Yael Hoffman (Meital Dohan). The scene is surprising and humorous, fitting well within the show’s dark comedy and boundary-pushing narrative. Yael, a tough and assertive woman, takes control in the bedroom by using a strap-on to peg Andy. The scene is both shocking and comedic, as Andy, who initially seems confident, is quickly overwhelmed by the intensity of the situation.
Portrayal: Pegging in Weeds is portrayed as a mix of humor and power dynamics, with Yael asserting her dominance over Andy in an unexpected and somewhat awkward sexual encounter. The scene plays into the show’s larger themes of subverting traditional roles and exploring complex relationships, all while maintaining a sharp, comedic edge. This depiction of pegging is less about exploring deep psychological themes and more about adding a layer of shock and comedy to the story, reflective of Weeds’ approach to tackling taboo topics with a darkly humorous lens.
Zack and Miri Make a Porno (2008)
Summary: In Kevin Smith’s raunchy comedy Zack and Miri Make a Porno, pegging is humorously depicted during the production of the amateur porn film within the story. The scene involves Barry (Ricky Mabe) and Bubbles (Traci Lords), where Barry ends up being pegged by Bubbles in a comedic twist. The scene is shot with the entire film crew watching, adding to the absurdity and awkwardness of the moment. The situation is played for laughs, emphasizing the awkwardness and unexpected nature of the act within the chaotic and often ridiculous setting of the movie’s plot.
Portrayal: Pegging in Zack and Miri Make a Porno is portrayed as a comedic and shocking moment, aligning with the film’s overall tone of pushing boundaries and exploring taboo topics through humor. The scene contributes to the film’s exploration of amateur adult filmmaking, showcasing the unpredictable and often bizarre situations the characters find themselves in. Rather than delving into deeper sexual dynamics, the scene uses pegging to enhance the film’s comedic narrative, making it a memorable and humorous moment in the story.
18-Year-Old Virgin (2009)
Summary: 18-Year-Old Virgin is a teen sex comedy that follows the misadventures of an awkward high school girl who is determined to lose her virginity before graduation. The film is filled with a series of over-the-top and risqué scenarios, one of which briefly involves a reference to pegging. The scene plays into the movie’s broader comedic tone, where various sexual experiences and mishaps are exaggerated for humor. The mention of pegging is part of the film’s attempt to push boundaries and shock the audience, staying true to the raunchy and irreverent style of early 2000s teen comedies.
Portrayal: Pegging in 18-Year-Old Virgin is depicted in a comedic and exaggerated light, fitting with the film’s overall goal to entertain and provoke laughter through outrageous sexual situations. The reference is used more for shock value and to play into the film’s over-the-top humor rather than as an exploration of sexual dynamics or power exchanges. This brief mention aligns with the movie’s theme of challenging sexual taboos and pushing the limits of what was typically shown in teen comedies of that era.
Shameless (2011-2021)
Summary: In the pilot episode of Shameless, the show introduces viewers to the Gallagher family and their chaotic lives on Chicago’s South Side. Among the many shocking and provocative moments in the series is a pegging scene involving Kevin (Steve Howey) and Veronica (Shanola Hampton). In this scene, Veronica, who is characterized as confident and sexually adventurous, takes control by pegging Kevin. The moment is handled with a mix of humor and frankness, reflecting the show’s raw and unapologetic approach to depicting the sexual dynamics of its characters.
Portrayal: Pegging in Shameless is portrayed as a consensual and somewhat playful act between Kevin and Veronica, emphasizing their open and experimental relationship. The scene reflects the broader themes of the show, where sexual taboos are confronted head-on, and characters freely explore their desires. The pegging scene is less about power dynamics and more about the mutual pleasure and adventurous spirit that defines Kevin and Veronica’s relationship. This early depiction of pegging set the tone for Shameless as a series unafraid to delve into unconventional and boundary-pushing sexual scenarios.
Deadpool (2016)
Summary: In the wildly popular superhero film Deadpool, pegging is humorously depicted in a memorable scene that showcases the unconventional relationship between Wade Wilson (Ryan Reynolds) and Vanessa (Morena Baccarin). During a montage celebrating different holidays, the couple is seen engaging in various sexual activities, with the pegging scene occurring on International Women’s Day. Vanessa playfully takes control, using a strap-on dildo to peg Wade. The scene is brief but impactful, highlighting the couple’s open-minded and adventurous approach to their relationship, all while delivering a dose of the film’s signature humor.
Portrayal: Pegging in Deadpool is portrayed as a consensual, lighthearted, and fun act between two partners who are clearly comfortable with each other. The scene is played for laughs, fitting perfectly with the film’s irreverent and boundary-pushing tone. Rather than focusing on power dynamics or dominance, the scene emphasizes the playful and equal nature of Wade and Vanessa’s relationship, adding to the film’s overall theme of embracing individuality and breaking societal norms.
Broad City (2014-2019)
Summary: Broad City, the hit comedy series created by and starring Ilana Glazer and Abbi Jacobson, features a memorable pegging scene in the episode “Knockoffs” (Season 3, Episode 5). In this episode, Ilana (Ilana Glazer) engages in pegging her boyfriend, Lincoln (Hannibal Buress), as part of their sexual exploration. The scene is portrayed with humor and a sense of casual openness, which aligns with the show’s overall tone of celebrating sexual freedom and breaking down taboos. The pegging moment is not treated as shocking or strange but as a natural part of the characters’ relationship dynamic.
Portrayal: Pegging in Broad City is depicted as a consensual, fun, and empowering act, highlighting the characters’ willingness to explore their sexuality without shame or judgment. The scene reinforces the show’s theme of embracing individuality and breaking social norms, particularly in the realm of sexual relationships. By portraying pegging in a humorous and light-hearted manner, Broad City contributes to normalizing discussions around sexual experimentation, presenting it as just another aspect of modern, open-minded relationships.
The Double Lover (2017)
Summary: In The Double Lover (L’Amant Double), there is a striking scene where Jérémie Renier’s character is depicted being pegged by his lover, Chloé, played by Marine Vacth. The scene is shot with a surreal and intense focus, highlighting the power dynamics at play. Chloé uses a strap-on dildo to penetrate Renier’s character from behind, in a sequence that blurs the lines between dominance, submission, and eroticism. The film uses this moment to explore themes of duality, power, and sexual control.
Portrayal: Pegging in The Double Lover is portrayed as a psychologically intense and erotic act, emphasizing the complexities of sexual power dynamics. The scene is both visually and emotionally charged, reflecting the film’s exploration of identity, desire, and domination.
T2 Trainspotting (2017)
Summary: In T2 Trainspotting, a particularly memorable scene involves hidden camera footage showing Veronica (Anjela Nedyalkova), a sex worker, vigorously pegging headmaster Tullock (Gordon Kennedy). The footage is captured without Tullock’s knowledge and later shared by Veronica with a sense of pride. The scene is both shocking and darkly humorous, in line with the film’s tone, which often blends disturbing elements with gritty humor.
Portrayal: Pegging in T2 Trainspotting is portrayed as a powerful act of control and humiliation. Veronica’s pride in sharing the clip highlights the power dynamic at play, where she dominates and humiliates a figure of authority. The scene underscores the film’s themes of exploitation, power, and the often seedy underbelly of the characters’ lives, while also pushing the boundaries of what is shown on screen in a mainstream film. This moment reflects Trainspotting’s willingness to explore uncomfortable and taboo subjects with a mix of intensity and dark comedy.
Highway to Havasu (2017)
Summary: Highway to Havasu is a teen road-trip comedy that includes a scene where pegging is depicted as part of the movie’s raunchy humor. The film doesn’t shy away from pushing boundaries in its portrayal of sexual escapades, and the pegging scene is treated as another over-the-top moment designed to shock and entertain the audience. The scenario fits within the broader context of the film’s focus on wild and outrageous behavior during a spring break trip.
Portrayal: Pegging in Highway to Havasu is portrayed with a comedic and exaggerated tone, emphasizing the absurdity and shock factor typical of the film’s humor. The scene is less about exploring sexual dynamics and more about delivering a surprising and risqué moment in line with the movie’s overall theme.
Ozark (2017-2022)
Summary: In Ozark Season 2, Episode 8, titled “The Precious Blood of Jesus,” there’s a provocative honey-trap scene involving Terry Foreman (Dustin Lewis) and stripper Lulu (Kiley Casciano). In this moment, Terry is caught in a compromising position as he is seen sucking on a strap-on dildo worn by Lulu. The situation escalates when Wendy Byrde (Laura Linney) enters the room, secretly filming the act. The scene is a calculated move within the broader context of the series, reflecting the lengths to which characters will go to manipulate and control one another.
Portrayal: Pegging, or in this case, the simulation of it, is used as a tool for blackmail and manipulation in Ozark. The scene is not about sexual dynamics but rather about power and leverage, fitting perfectly into the show’s dark narrative where characters exploit every opportunity to gain the upper hand. The act of filming this compromising scene underscores the show’s themes of control, deceit, and the morally ambiguous actions of its characters.
Vida (2018-2020)
Summary: In the TV series Vida, there is a memorable scene where Melissa Barrera’s character, Lyn, takes control in a pegging scene with Adrian Gonzalez’s character, Rudy. The scene is depicted with Lyn in the dominant position, pegging Rudy in doggy style. The intensity of the act is palpable, with Rudy eventually begging Lyn to slow down as she goes deep and hard. This moment reflects the power shifts in their relationship and Lyn’s growing confidence in asserting her sexual dominance.
Portrayal: Pegging in Vida is portrayed as an assertive and dominant act, highlighting the sexual empowerment of Lyn’s character. The scene serves as a critical moment in the development of their relationship, showcasing the complexities of control, pleasure, and submission.
Conclusion
As this guide illustrates, pegging has increasingly found its way into mainstream TV and movies, challenging traditional gender roles and opening up conversations about sexual dynamics. From the shock value of early portrayals like Myra Breckinridge to the more nuanced and humorous depictions in modern shows like Broad City and Dollface, pegging is no longer relegated to the fringes of sexual exploration.
Whether depicted as an empowering act, a tool for exploring dominance and submission, or simply a part of normalizing diverse sexual experiences, pegging’s presence in media reflects a broader cultural shift towards open conversations about sexuality. As society continues to evolve, we can expect pegging and other forms of sexual expression to be portrayed with even more depth and understanding, paving the way for greater acceptance and exploration of the full spectrum of human sexuality.
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